Search results for "The Hobbit"

showing 5 items of 5 documents

Patterns of reception in Denmark, Finland, and Sweden : In search of interpretive communities

2016

This paper focuses on the search of interpretative communities across and amongst the Nordics. First the idea of shared ‘Nordic mode of reception’ between the three Nordic countries which participated to the World Hobbit Research project is presented and investigated, after which the focus is shifted towards the examination of the possibility of the ‘country-specific profiles’. Finally it is questioned if any other background variable than nationality could explain the finding which emerge when examining the data at the level of nationalities. peerReviewed

comparative reception studiesconjunctural theoryNordic countriesThe Hobbit
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The World Hobbit Project in Finland : Audience responses and transmedial user practices

2016

This article examines audience engagement with The Hobbit fantasy film trilogy as a participatory and transmedial experience. To do so, we use the data collected by The World Hobbit Project in order to investigate the transmedial user practices of the Finnish audience of the trilogy. We will, firstly, look at what kinds of transmedial user practices – and transmedia users – emerge from our data. Secondly, we will ask the following questions: How do transmedia users receive and experience the films? What are the meanings assigned to The Hobbit films and the fantasy texts and user practices related to them, and what do these meanings tell of the broader meanings and uses of fantasy? Doing so,…

fantasiaelokuvatTolkienfantasia (tyylit)transmedial user practicesadaptationtransmedialitykäyttäjäkokemusThe HobbittransmediaComputingMilieux_MISCELLANEOUSaudience experiences
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Engaging with film characters : Empirical study on the reception of characters in The Hobbit films

2017

Characters are important for the audience reception of films, but little empirical research on actual audiences has been conducted on the topic of character reception. Are characters important for all audiences, and if not, what are the possible reasons and implications? How do audiences construct their engagement with characters? I argue that in addition to elements in Murray Smith’s classic model, structure of sympathy, other elements should be included when studying character engagement. This article presents an empirical study on the reception of characters using the Nordic responses (4,879 total) drawn from the global audience survey on The Hobbit fantasy film trilogy (Jackson, An Unex…

henkilöhahmotHobittiTolkien J.R.R.charactersaudience receptionvastaanottosamaistuminenelokuva (taiteet)The HobbitTolkien J.R.R. Tolkienyleisöhenkilökuvausfilm literature fictionkirjallisuus fiktiotunteetengagement
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“I’m just being a difficult LoTR hardcore fan” : Tolkien Fans’ Actions and Reactions to Peter Jackson’s The Hobbit Trilogy

2022

Peter Jackson’s The Hobbit trilogy has been debated and discussed widely. Fans of J.R.R. Tolkien have had strong opinions about the films, and I believe that their online conversations about the movies call for a closer look. I am particularly interested in Tolkien fans’ reactions to the films; the reasons for these reactions; and the actions they provoked. Some fans loved the possibility of revisiting Middle-earth. They drew a clear distinction between the book and the movies, showing understanding towards the changes and additions required by the adaptation process. Pitted against them were the fans who experienced the films negatively. This group did not differentiate between the movies …

receptionelokuvaohjaajatJackson Peterfan editskritiikkifansfanitThe HobbitfaniuselokuvatfantasiaelokuvatreseptiokokemuksetTolkien J. R. R.ohjaajat (taiteet ja media)ihailijatelokuvataideromaanitfilmatisointi
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The World Hobbit Project at Cardiff University, UK

2016

transmediallisuuskirjallisuusJackson PeterpolitiikkavastaanottotutkimusseminaaritTolkien J. R. R.verkkokeskustelutJenkins HenryThe Hobbitelokuvatfanius
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